Friday 29 November 2013

Printmaking

I was really please how this image transfer came out,

seminar presentation

Seminar presentation
I've chosen to talk about a light hearted subject... Death.

"Mama always said dying was a part of life, I sure wish it wasn't"
- Forrest Gump

As a society we seem to be captivated by death, but very ignorant to it aswell.

Take the soap operas for example. Almost every Christmas there is a death in East Enders or Coronation Street etc. and just Soap Operas in general, It's a guaranteed way to boost the ratings.

 
More than 10 million people tuned in to itv on (21/01/14) as Hayley Cropper, sick with incurable pancreatic cancer, took an overdose with drugs and died in the arms of her loving husband Roy. Some praised the storyline for its sensitive handling of illness and death but others said it risked  encouraging suicides. 

Everyone dies, it's one of the indisputable   facts in this world,

"In this world nothing can be said to be certain, except death and taxes."
- Benjamin Franklin  

It's a subject we see everywhere, on tv and in films, in popular culture and in the newspapers. It's a thing that happens every day but it's also a topic we rarely discuss with one another.
It was Oscar Wilde who once said: 

'Life is far too important a thing ever to talk seriously about.'

And maybe that goes for death as well... 
I'm not saying that it's something we should discuss every morning over our bowls of corn flakes, but it is something we should discuss with one another more openly. Although, as death is a very subjective thing it can vary from person to person I.e in their beliefs, personal experiences: such as losing a loved one.

I'm researching this topic in my self directed work and I've come across quite a bit of misunderstanding and readily dismissal from some without listening to why I've done the practises I've done and the things I've researched. 

Take the charnel houses situated throughout Europe and the "catacomb saints" 

I've been looking at two books by critically acclaimed author and photographer Paul Koudanaris:

The Empire Of Death ( A Cultural History Of Ossuaries And Charnel Houses) 


Heavenly Bodies
(Cult Treasures & Spectacular Saints From The Catacombs) 


Here are some photographs from the books; I won't list all the details but the so called " catacomb saints" are mostly situated in German speaking regions of Europe and came about from Rome after the Protestant reformation in which saw a vast array of catholic relics destroyed. Known as "catacomb saints" because under a vineyard (Bartolomeo Sanchez, Italy) in 1578  a vast labyrinth of underground cemeteries were rediscovered and believed by the church to contain early Christian martyrs. 


    Most were decorated by nuns in Rome 



 Here is an extract from the Empire of death;
"To understand the great charnel houses we must first acknowledge that death itself is not a fixed concept. The French sociologist Jean Baudrillard, one of the greatest cultural theorists of the modern era, defined death as being simply the line of demarcation that separates the dead from the living. Within that axiomatic statement is an important implication: the line can be fluid. The process of living inevitably brings the cessation of life, but death as a concept is an intellectual construction that can vary from society to society and era to era." 

                                                       
                                                                   EVALUATION

I think I touched on some interesting topics such as death in pop culture and the media, it was a bit hard to seamlessly go from that transition to the charnel houses etc. and this showed in the presentation, it didn't go as well as it could've for these reasons. next time I will make a presentation that's more inter connected and flows easily.

Monday 25 November 2013

Sculpture piece

This is a sculpture piece I made for the sculpture project. After looking at Joseph Cornell's work it inspired me to make this. After viewing some of his art, it made me feel more comfortable to embrace surrealism and being looser with my ideas, I felt this was of benefit to me.

Friday 15 November 2013

After my tutorial with Leila, she looked at the piece I had made for sculpture and suggested that I look at work by the American artist and sculptor; Joseph Cornell.

I found his work to be really interesting. The way he assembles his collages and the choice of his images infusing beautiful imagery with the mundane and creates a juxtaposition between them . A lot of Cornell's shadow boxes have a distressed and weather worn quality to it and this appeals to me as i have applied this type of technique to my sculpture work and to work in other projects as well.



  Andromeda: Grand Hôtel de l'Observatoire, 1954. Box construction, 18 5/16 × 12 15/16 × 3 7/8 inches (46.5 × 33 × 9.8 cm)


Untitled (The Hotel Eden) 
c. 1945 (140 Kb); Construction, 15 1/8 x 15 3/4 x 4 3/4

Monday 11 November 2013

Frieze/London Trip


This is some of the work I saw during the Frieze trip. I found the exhibition to be hugely inspiring, it  was a really valuable experience in seeing so much work showcased by galleries around the world.
Below are some of the photographs that I took during Frieze that I was drawn to; some for the aesthetics, some for the materials used and others for the process.  







 Bruce High Quality Foundation
Various Self Portraits 2001-2013
Shadow Box, Mixed Media
Dimensions Variable.

Susan Hiller
'The Dirty Paintings No.8' 1990
Dispersion ink and dirt on canvas mounted wallpaper
20 X 20 in. / 50 X 50 cm
Gedi Sibony
'Cyclops' 2013
Trailer
101 1/2 X 126 X 1 13/4 in.
(257.8 X 320 X 4.4 cm) 
 Manfred Pernice
'Adam - August' 2013
Various woods, paper, enamel paint, varnish
159 X 63 X 62 cm.
 Gabriel Kuri


 Vik Muniz
 Willem Boshoff
'Flag l' 2003
Smashed up plastic toys on a wooden base
114 X 190 cm.


 Vik Muniz
 Seth Price
Untitled, 2013
Gesso, moulding paste and ink on plywood
85,1 X 180,5 cm.
 Fredrik Vaersley
 'Telegram from the future, Postcard from Karakorum' 2013
Postcard ( back + front)
32.70 X 39.53 X 3.9 cm (framed)
8.89 X 12.7 cm (postcards)






 Artists Unknown

 Antonis Donef
Untitled, 2013
Vintage printed matter
collage on canvas
260 X 260 cm
 Neha Choksi
'Houseplant and sun quotations 8' 2012
Sunlight exposed hand-made palladium
prints paired with digital prints
16.5 X 24 in. (framed)
 Dash Snow
'The sins of New York...' 2006
Collage
29.4 X 19.4 cm (11.57 X 7.64 in.)
 Francis Picabia
'Transparence - Potrait de Rene Char'
ca 1930-1932
Charcoal, pencil on paper
12 3/4 X 9 in.
32.5 X 23 cm


Richard Hughes
'Cosmic Background Radiation' 2013
polyester resin, fibreglass, enamel and acrylic paint
82 6/8 X 41 3/4 X in.
210.2 X 106 X 10.2 cm